the ones who walk away from omelas by ursula leguin

These few outliers are thus known as ‘the ones who walk away from Omelas’.

And so they leave the city, they voluntarily leave paradise, with the conviction that such an action is the only right thing to do. The sight of the child and its implications force some visitors – both young and old – to reject Omelas wholesale. However, a minority of visitors are unable to shake off (what they feel to be) the depraved injustice of the situation. So they end up accepting this state of affairs and return happily to their blissful, comfortable existence. But they come to understand that this misery is the unfortunate cost of utopia, believing it justifies the happiness of the many. Their natural reaction, of course, is one of shock and disgust.

Indeed, many citizens – including children – do visit the suffering child. The citizens of Omelas can visit the room where this child is locked away and bear witness to its tortured, isolated existence. The precise reasons for this setup are not explained, but that is somewhat irrelevant what matters is the philosophical and ethical implications of the thought experiment: does the extreme happiness of an entire city justify the extreme suffering of a single being, which is necessary to maintain that happiness? If the child were granted freedom and relief from its suffering, the prosperity of Omelas would wither away. This particular short story (which you can read here) describes the utopian city of Omelas, whose idyllic nature depends on the continual imprisonment, torture, suffering, and dehumanisation of a single child. Le Guin, originally published in 1973 and then re-republished in The Wind’s Twelve Quarters (1975), a collection of Le Guin’s short stories. The Ones Who Walk Away From Omelas is a philosophical short story by the sci-fi writer Ursula K. An illustrated map of the city of Omelas, created by the artist Andrew DeGraff

The ones who walk away from omelas by ursula leguin